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Festival Frights

Monolith // A SXSW Review

March 30, 2023

The Angry Black Girl and Her Monster // A SXSW Review

March 28, 2023

Aberrance // A SXSW Review

March 25, 2023

Brooklyn 45 // A SXSW Review

March 23, 2023

Swarm // Busy bees blur the line between fact and fiction

March 23, 2023

Furies // A John Wick-esque Revenge Tale

March 22, 2023

Harbor Island // Watch. Rinse. Repeat.

March 20, 2023

Evil Dead Rise // Nostalgia meets new for the win

March 20, 2023

Shatter Belt // An anthology spun from DNA of greats but uniquely its own

March 20, 2023

Appendage // There are no bandaids or quick therapy tips to fix this

March 11, 2023

Talk to Me // A Black woman lead without the Racial Trauma

March 11, 2023

birth/rebirth // A Feminine take on the Frankenstein story

February 20, 2023

The Mean One // A Hallmark Holiday Horror Mashup

December 6, 2022

Two Witches // A movie review

October 3, 2022

Unidentified Objects // A movie review

October 2, 2022

Unidentified Objects // An interview with Director Juan Felipe Zuleta

September 28, 2022
satanic hispanics movie review

Satanic Hispanics // Panic at the Satanic Disco

September 25, 2022

Horror news

Harbor Island // Watch. Rinse. Repeat.

March 20, 2023 2:10 pm

Huesera // Shattering societal and familial expectations

March 4, 2023 1:52 pm

Swallowed // A union warming cold dead hearts everywhere

February 28, 2023 3:47 pm

The Outwaters // A movie review

February 8, 2023 5:30 pm

The Price We Pay // A Practical Stephen Dorff Effect

January 10, 2023 8:27 am

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