To the untrained observer, or someone who simply isn’t a horror fan, horror and musicals mix just about as well as oil and water. But the truth is quite different, especially if you add camp to the carnage.
In this context, camp isn’t the usual “so bad that it’s good,” because it isn’t just the comedy. It’s a deliberate, purposeful embracing of “too-much-ness”. It’s inviting you to notice not just the carnage, but the costumes, staged blood, and the pageantry of it all. Why? Well, because spectacle is as much a part of the thrill as carnage is. It creates a weirdly perfect balance that leaves you both terrified and delighted at the same time.
Anyone Want a Few Recs?
A very few titles do this better than Repo! The Genetic Opera, Sweeney Todd: The Demon Barber of Fleet Street and Anna and the Apocalypse. Oh, and let’s not forget The Rocky Horror Show (and The Rocky Horror Picture Show), which, honestly, deserve a breakdown of their very own. Everything in these movies is exaggerated on purpose, including the vocals, the drama, and the gore.
Repo! The Genetic Opera
Repo! The Genetic Opera (starring Paris Hilton and Paul Sorvino) brings us corporate cruelty and body horror. The musical tells a story about control, debt, and bodies being treated as property. For the uninitiated, the movie takes place in a future in which organ transplants come with a “subscription,” a mandatory payment plan. (Sound familiar?) Of course, clients who miss payments have their organs repossessed by the Genetic Repo Man. The premise isn’t a bad one, the movie itself is pretty interesting, and the songs are quite catchy.
You can stream Repo! The Genetic Opera for free on Tubi and Hoopla and catch it on Prime Video with a subscription.
Sweeney Todd: The Demon Barber of Fleet Street
Sweeney Todd: The Demon Barber of Fleet Street, a first for many, is also a good example. Its camp isn’t goofy. Instead, it is theatrical excess executed with surgical precision. It’s basically a revenge tale with dark humor cutting through the dread like a straight razor (pun fully intended). The carnage has the smell of a burning furnace and a taste of a meat pie. The music is exceptional, especially when performed by Sacha Baron Cohen, which elevates the genuinely tragic story. Here, the camp is excessively theatrical, and almost operatic and grand. Plus, Johnny Depp and Helena Bonham Carter make a horrific duo in the best of sense.
Watch Sweeney Todd: The Demon Barber of Fleet Street for free on Pluto TV and Hoopla, and rent on VOD.
Anna and the Apocalypse
If you’re in the mood for a somewhat different flavor, Anna and the Apocalypse is a coming-of-age musical set during a zombie outbreak. It doesn’t get more outrageous than that. The camp sharpens the chaos, while the music feels like defiance in the face of a world literally falling apart. The movie got all the positive reviews from critics, especially for the performances of its cast, the music, and the characterization.
In the end, these titles prove that horror, music, and camp mix well, and that the film doesn’t need to be filled with dread and carnage to be good horror. It can be sing-along-ready as well.
Jason Collins
I am a pop culture horror fanatic with what some would say is a healthily unhealthy obsession with the magic of gore and special effects. When I’m not thinking about how George Romero helped give us one of the greatest genres known to man, I can usually be found musing about why two tiny lab rats truly wanted to take over the world every night.
Scream and Sing // Terrifying Horror Musicals for Fans of Camp and Carnage
Anyone Want a Few Recs?
Repo! The Genetic Opera
Sweeney Todd: The Demon Barber of Fleet Street
Anna and the Apocalypse
Jason Collins
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