Festival

Bunny Rabbit // A Chattanooga Film Fest Review

Bunny Rabbit made its US debut at this year’s Chattanooga Film Fest and immediately burrowed its way into my psyche. This Australian post-climate collapse film left me feeling unsettled long after the credits rolled, and for all the right reasons. Independent filmmaking continues to be where some of the most exciting cinema is happening, and

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misper

Misper (A British Dark Comedy) // A Chattanooga Film Festival Review

Misper is a refreshing change of pace from the many true crime stories inundating us these days. Instead of following along as someone tries to solve the mystery, it focuses on those left behind to deal with the uncertainty of a loss. Misper pushes the idea further by centering on the missing person’s coworkers. It’s

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Frankie, Maniac Woman // Humor and Blood: Salem Horror Fest 2026 Review

I love it when women swerve into male-dominated lanes. That’s why I was so excited to catch Frankie, Maniac Woman at Salem Horror Fest. All I knew about the movie was that Frankie was different, in the violent kind of way. That was enough for me. Kat (my co-host) and I power walked down the

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Hokum // The Third Draft is Better: Overlook Film Festival 2026 Review

I had the opportunity to watch Hokum at Overlook Film Festival in a packed theater amongst friends. I had no idea what the movie was about except that Adam Scott was there and Damian McCarthy (Caveat, Oddity) was directing. Also, I enjoy haunted places and folk horror, so Hokum worked for me. It’s also easy

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Leviticus // Weaponized Religion Strikes Again: Overlook Film Festival 2026 Review

I decided to see Leviticus on whim at the Overlook Film Festival, and I’m happy that I did! I went into the movie completely blind and learned during the introduction of the movie that it was an Australian film. So, I expected realistic brutality. I also discovered that it starred Joe Bird from Talk to

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The Killing Cell // Someone Call 9-1-1: Unnamed Footage Festival 2026 Review

As horror fans, we have all seen a shit ton of found footage. Yet, we know that in the right hands, basements become terrifying places to die. A shaky camera instills anxiety and forces us to lean in. There is magic in this subgenre (when it’s done correctly) that shuts up the most jaded millennial.

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