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The Ugly Stepsister // A Dark Fairytale I Can Support: Overlook Film Fest 2025 Review

The Ugly Stepsister was a pleasant surprise! I didn’t initially have it on my schedule, but when a horror homie (Angel Melanson) vouched for it, I knew I couldn’t miss it. So, I snagged a spot in the theater with other friends who had heard the good word about the film and buckled in for […]

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Rosario // To Grandma’s House We Go : Overlook Film Fest 2025 Review

Supernatural horror is my bag! I was super excited to lay my eyes on Rosario at the Overlook Film Festival during one of the late-night slots. The film follows a successful woman, Rosario (Emeraude Toubia), who has to spend the night watching her grandmother’s corpse until the ambulance comes. Of course, things get supernatural as

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Abraham’s Boys // Gorgeous Paranoia in the Van Helsing House: Overlook Film Fest 2025 Review

After crossing the Atlantic ocean with his wife and two sons, Abraham Van Helsing has finally settled down… or has he? Let me point this out; has anyone ever considered fact-checking Van Helsing? Did anyone ask him for true vampiric evidence? Maybe not. Natasha Kermani (Lucky, V/H/S/85) helms the feature film adaptation of Abraham’s Boys;

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Salem Horror Festival 2025 ‘s Scary Lineup

Salem Horror Festival is ringing in its eighth year with a creepy assortment of titles. The festival runs from April 30 to May 4, with tickets on sale now. Passes can be purchased through the festival site, and you are encouraged to buy them ASAP. In addition to a ton of unique programming and a

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Fucktoys // Sex Workers Can Have Fun Too: SXSW 2025 Review

Fucktoys (stylized as F*cktoys) is a clever, sexy, pop-punk, grindhouse adventure. Writer and director Annapurna Sriram crafts a raucous fantasy world that is unafraid to play in its smutty little sandbox. It is one of those surprise festival darlings that reminds jaded filmgoers why we find magic in celluloid. The film finds AP (Sriram) discovering

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Can I Get a Witness? // When a Perfect World Comes at a Cost

Once the world becomes perfect, humanity must manufacture its own hardships and trauma. This idea is at the heart of Can I Get a Witness?, Ann Marie Fleming’s quiet and thought-provoking sci-fi drama. The film imagines a future where humanity has supposedly solved its greatest challenges, including war, overpopulation, and climate change. All at an

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